
Christopher Buening‘s prolific work comprises a pied diary of personal experience and relationships. His materials are redolent of things rococo, glittering with heaps of oozing glaze or White-Off that form stalactite-like characters in his ceramics and create ghostly negative space in his paintings.
In addition to sculpture, painting, and gallery installation, Buening has developed a unique practice of guerrilla ceramic installation in public spaces, arranging compositions made of hundreds of brightly-colored ceramic shards that amass to form figurative images or elaborate shrines tucked into urban wastelands. Other installations in the wild are composed of exquisitely sculpted ceramic simulacra—hand-painted objects like pills, cigarette cartons, and beer cans. Left to be found by passersby, they languish and erode: an ode to decadence, survival, pleasure, and indulgence.
“Sketching is just another function of my journaling,” says Buening. “My sketchbooks—I have probably a hundred or more—are writing and drawings all intermingled. It’s a stream of consciousness function and I don’t really use them for anything other than verbal, visual and mental diarrhea release. These are all mixed media on sketchbook paper, done at various times over the last few years.”
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